You are using a very old browser! This page will look a little wrong... why not try upgrading to a modern browser? It's free! Just Google "IE 9", "Firefox","Safari" or "Opera"
08 pm Thursday 17
59   May 2012
 
 
 

The Professor

Australian bassist Rex Horan has been living and working in London since 1997. Recent performing and recording credits have included: A Girl Called Eddy (Epitaph) and White Buffalo (Stamina Wax Records). He has played, recorded and toured with Richard Bailey (Jeff Beck, Incognito) “Fast” Eddy Clarke (Motorhead), Winston Delandro (Bob Marley, Sly And The Family Stone), Scotty Gorham (Thin Lizzy) and Mungo Jerry. He played on Verena Poetzl’s single Addiction in 2004 (Universal), which reached number one and went gold in Austria. His work in London’s R’ai bands Yusef and the Halal Joint and Cheb Nacim has seen Rex tour the European festival circuit.

The Professor

He is a founding member of the Experiments in Spontaneous Performance (ESP) experimental cross-disciplinary improvisation company. His forays into the world of avant-garde and improvised musics included the staging of the West Australian premiere of John Zorn’s Cobra in 1996. He plays with and conducts the London Improviser’s Orchestra.

His expertise as a music educator has seen him working regularly for The Prince’s Trust Soundlive and The Irene Taylor Trust Music in Prisons. He has lectured in music and improvisation at The University of Western Australia, The University of Coventry, Warwick University, The University of Wolverhampton and the Richmond Upon Thames College.
Writing about Rex and his various projects and bands can be found in The Who’s Who of Australian Rock Music (Fourth Edition onwards), Liverpool Of The Southern Seas (Fremantle Arts Centre Press, 2003), and a forthcoming book on improvisation by Chris Johnston (Nick Hern Books) He was twice named Bassist of the Year in the Western Australian Music Industry Awards (1996, 1997).He studied Jazz Performance and Arranging and Composition at the Western Australian Conservatorium of Music and Classical performance (viola) at the University of Western Australia.

 

 
 
Send me your sounds

Sadowsky Metro RV4, Rosewood fingerboard. I’ve got thirteen other basses dating from the early 60s to the present. I’ve hardly touched them since owning the Sadowsky. It’s versatile and old-sounding, feels great in the hands. I love this instrument.   The ubiquitous white Boss tuner. EBS Octabass octave pedal. EBS only make bass gear and this baby tracks quick. There’s three modes of eq on the octave-note generated by the pedal.   Electro Harmonics Super Muff Pi. You can have your clean signal blended with the distorted one, and thereby not lose your Bad Ass Phat sound. Yeah!   Electro Harmonics Bass Micro Synth: Bzzzowww, wahp, wahp, zzzeeeeweeeh, rmmmmm. It’s analogue! ———————————- Rex is endorsed by Glockenklang Amplification